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Early Beatles song 'In Spite of All The Danger' is pretty fun and easy.

When you listen to the song, remember, don’t get intimidated by the melody!! You’re going to tackle the boom-chick guitar in the background. The following songs have been selected to highlight some of the best electric guitar songs from the 1980s.Songs by Red Hot Chili Peppers, Green Day, The Beatles, Eric Clapton, etc. Start with the chords before you try to track the electric part.

He doesn’t do that here, but he does do more than enough to keep me listening.Easy beatles songs on electric guitar It’s all pretty straightforward. That said, he is most captivating when he steps away from tradition rather than embraces it-when he straddles musical boundaries and creates something entirely new, as he did most famously on 1967’s Astral Weeks and also on such later standouts as No Guru, No Method, No Teacher. Such stellar performances prove once again that Morrison is what the album title proclaims-and also that he’s one of the most distinctive vocalists of our time. Like the rest of Versatile, these songs benefit from fine instrumentation, including Morrison’s own alto sax on half the tracks and flautist Sir James Galway on “Affirmation,” a moody, mostly instrumental album highlight. And “Unchained Melody,” which is best known from the Righteous Brothers’ 1965 hit version, surfaces here as a brooding slow blues you don’t get the soaring vocal work of Bill Medley and Bobby Hatfield, but you can better sense the longing and loneliness that the lyric addresses. “I Left My Heart in San Francisco,” for example, eschews Tony Bennett’s approach for an earthier, jazzier reading. Like such recordings, the best of the ones on the self-produced Versatile find Morrison reinventing the material. In later years, he has interpreted such standards as “Georgia on My Mind,” “Sometimes I Feel Like a Motherless Child,” and “It’s All in the Game.”

Even before he became a solo artist, he was recording covers of blues classics like “I Got a Woman” and “(Get Your Kicks On) Route 66” with his Irish group Them. This is not, of course, Morrison’s first foray into this sort of territory. (A press release proclaims these originals to be “new Van compositions,” but he first recorded at least three of them years ago.) Other jazz and blues vocal standards on the 16-track program include “I Left My Heart in San Francisco,” “Unchained Melody,” “Makin’ Whoopee,” and “Let’s Get Lost.” Also here are a half dozen Morrison originals, most of which seem to be cut from the same mold as the covers. There are two tracks here from George and Ira Gershwin (“A Foggy Day,” “They Can’t Take That Away from Me”) and one from Cole Porter (the great “I Get a Kick Out of You”). Versatile-the 38th studio album from Van Morrison, which comes only three months after his last release-finds him joining artists like Bob Dylan and Rod Stewart in mining the Great American Songbook.